New Member
As a result of a recent call-out on the SCWBI Facebook page, IWFC was delighted to welcome it’s newest member at the last meeting with another two authors set to join in October.
SELINA MOORE studied Fine Art at the Byam Shaw School of Art and Animation at UCA, Farnham. She has worked for many years as a CG character artist in the animation industry. Driven by a love of storytelling, she is now increasingly moving into the medium of Illustration as well as working towards creating picture books.
She is currently working on the picture book “Unreal Neil”:- Finn blames everything on Neil, an imaginary creature that he has just invented, but sometimes things take on a life of their own.. “Unreal Neil” humorously explores the idea that making up stories can have consequences. Finn’s fibs come back to bite him as Neil perversely materializes and havoc ensues. After a series of disturbing events, a ruined birthday party is the catalyst for Finn to come clean and apologise. And as harmony is restored, Neil finally disappears (in the wake of another teller of tall tales – Posey Perkins).
Selina lives in Loughborough Junction and is the sort of person who is always in need of a project, which is just as well..
You can view Selina’s Illustration Portfolio at: www.behance.net/SelinaMoore

New books published
KATHARINE QUARMBY
It’s a bit unusual to have three publications out in one month (July), but very exciting – and they are all collaborations with lovely people.
The first two are picture books, co-written with the English Traveller, Richard O’Neill, and are published to coincide with Gypsy Roma Traveller History Month. Yokki and the Parno Gry, about a magic horse and its relationship with a Traveller family which has fallen on hard times, is a really lovely story and was great fun to work on with Richard, turning it, with his blessing from an oral story to a picture book. The other, Ossiri and the Bala Mengro, is a more comical story about a monster, and a girl from a Travelling background who yearns to be a musician.
Equally, it was an honour to contribute a chapter, ‘Becoming English’ to A Country of Refuge, edited by Lucy Popescu and published by Unbound this month. This was a book that celebrates the contributions that refugees have made to this country. I wrote about my mother and grandmother coming to the UK just after the war from what was then Yugoslavia.
The first picture books reviews are in:
“This is a window onto a different culture and a reminder to have faith in imagination.” Super review by Nicolette Jones in the The Times and The Sunday Times Children’s Books Summer Reading!
Historical Novel Society on Ossiri and the Bala Mengro: Marion Rose reviewed it, writing: “This is a picture book where everything has been thought about, from the patterned end papers to the glossary that explains the sprinkling of unfamiliar words. It is beautiful to look at, and wonderful to read aloud. I thoroughly recommend it to anyone who is old enough to meet an ogre.”
Elizabeth Hawksley reviewed Yokki for the Historical Novel Society thus: “I loved learning about the Travelling life, what everyone did, and how they coped. It’s also a story about the power of the imagination to rise above the bad times and look forward to a better future. Children of 4-9 should love it.”
https://historicalnovelsociety.org/reviews/ossiri-and-the-bala-mengro/embed/
Leeds Gate, a Traveller charity, reviewed the books, with 11 year old Jerry Hanrahan writing:
“My name is Jerry Hanrahan, I am 11. I went to primary school except for most of the last year. I’m hoping to go to high school in September. I read the books in our training room at Leeds GATE with my brother Billy crawling and exploring around us!
I read Parno Gry, it was quite easy for me to read, and I liked the story. My favourite character was Yokki cos he told stories. The worst bit was when Aunty couldn’t sell her flowers, I felt really disappointed for her. The pictures were good. I read half the other book, Ossiri and the Bala Mengro, but then my brother was making a lot of noise so Helen read through the rest.
I think these books would be best for children a little bit younger than me, say about nine. I liked the stories being about Travellers and what was in the pictures. I think they should write more books. Thumbs up!”

illustration Marieke Nelissen
“A traditional Romani folk tale brought to stunning life… hugely original story introducing characters and stories from other cultures in an engaging and delightful way.” ReadItDaddy
Over at the Travellers Times, a magazine for the Roma, Romani and Traveller community, the books were reviewed thus: “This book, Ossiri and the Bala Mengro was a fantastic read, all though it is mostly suited to younger children as there are a lot of pictures. The illustrations are colourful, entertaining and show what is happening in each part of the story well….Yokki and the Parno Gry…made me feel hopeful towards the future. ‘Yokki and the Parno Gry’ is a wonderful tale of what a child’s hope and imagination can bring to a family, it’s just an added bonus that it’s about the Gypsy and Traveller community.
http://travellerstimes.org.uk/Blogs–Features/Richard-ONeils-Gypsy-Traveller-stories-book.aspx

Samantha Ellis also reviewed A Country of Refuge for
The Times Literary Supplement:
“Lucy Popescu’s A Country of Refuge is a collection of both fiction and non-fiction about refugees. A moving essay by Joan Smith about Anne Frank’s father’s attempts to seek asylum, comparing it to the story of Aylan (Alan) Kurdi, a victim of “the same depressingly bureaucratic response to refugees fleeing fascist regimes”, proves that empathy is not the preserve of fiction. Not every contribution earns its place. An excerpt from Rose Tremain’s story “The Beauty of the Dawn Shift” is not nearly as powerful as the whole original. It is also a little unclear why two pieces (neither new) by William Boyd about Ken Saro-Wiwa have been included, since Saro-Wiwa was never a refugee. But this book is full of powerful writing. Many of the best contributions come from writers who are refugees,
or second-generation refugees, themselves. Hassan Abdulrazzak describes an encounter with an RSPCA inspector who refuses to allow his Iraqi family a dog, and his realization that “it was going to be a long, hard struggle to learn all the rules of my new homeland”; Katharine Quarmby tenderly describes her mother’s induction into the mysteries of The Archers.”
http://www.the-tls.co.uk/articles/public/as-if-there-never-had-been-stories/
Pop-up Flashback – small book selection
JOHN O’LEARY
The video shows pop-ups from the second children’s theatre production I co-created for Wordpepper which finished it’s final tour earlier this year. The show was presented by Half Moon Theatre in association with Apples and Snakes.
I made 19 pop-up books in total for the show, from very small to extremely large constructions which opened up to form the set. The video shows a small section of the smaller ones. These presented a type of illusion, being made to look like full books but often containing only one pop-up design to illustrate a moment in the show.
Reviews for Fussy Freya
illustration Piet Grobler
KATHARINE QUARMBY
“Fussy Freya (Frances Lincoln £11.99) is not for the squeamish: Katharine Quarmby’s rollicking verse tells how a three-year-old picky eater orders warthog and monkey, and learns a lesson when that is what granny serves. Piet Grobler’s watercolours have a sinister, angular exaggeration, like German expressionism. For children who like their food familiar and their rhymes revolting.” (Sunday Times, Best books for Easter, 2008)
“Piet Grobler’s brightly coloured illustrations are comic and eccentric in a way that is perfectly in keeping with the story… The characters are hilarious and unforgettable. The wavy layout of the text and the font are visually appealing too. All in all, this is a witty book that is fun to read. Each page has humour and entertainment value for children, though I love this book as much as my son does.” (http://www.writeaway.org.uk)
“What a joy of a picture book! I loved the illustrations, the fonts, the layout, the humour and the musicality of the text. A super book to read aloud with 2 to 7 year olds. The subliminal message is how Freya stopped being a fussy eater but the story line is simply a vehicle for an entertaining feast of children’s literature. Alliterative words, repetitive rhyming couplets, visual treats and more. I can hear the giggles now as the weekly menu is unravelled page by page. Every double page is packed so that I found something new each time I looked through it. In my experience this is a joy, not only for the small child but also for the adult sharing it and can make the difference between a genuinely rewarding bedtime experience and the ‘oh no not that one again’ kind of feeling on the part of the grown up. This can, so easily, be the kiss of death to expressive story sharing after a long hard day! If this is Katharine and Piet’s first collaboration, I hope they continue with original and exciting ideas for pre school children. Wonderful stuff.” (School Librarian)
“The story is written in a poetic way and is humourous and beautifully illustrated. The meals are carefully depicted, showing the importance of having vegetables and what could happen if children do not eat properly. And now when I use the threat of serving my children mashed monkey and rice when they become difficult at meal times, it yields wonderful results.”(www.theteacher.co.za)

illustration: Piet Grobler
SIX WEEKS OF WRITING FUN AT BURDETT-COUTTS PRIMARY SCHOOL
Last spring, a group of us from the Islington Writers for Children went on a writing adventure with 2 classes of Year 3 students at Burdett-Coutts Primary School – in six sessions over six weeks we hoped to inspire a love of writing and words. Each author did a different session and over the six weeks the Year 3s played lots of word games, brainstormed together and wrote their own stories and poems. We all enjoyed it, and there were some wonderful pieces of writing! 
You can read them in an earlier blog – below.
We called this writing adventure — Wriggle Room Writers.
This year we were invited back to Burdett-Coutts to do it again with the next bunch of Year 3s! Yippee!! And so another Wriggle Room Writers experience got underway. We all played with plot, character, setting, voice, rhythm and rhyme and making up a song. And along the way we gave each other feedback about our writing. We were bowled over by the inventiveness and creativity of their stories and poems. Watch out for those Burdett-Coutts Year 3 students and their big imaginations! Before you know it, their books will be appearing on the bookshelves in your local bookshop!
In the final session, our resident singer-songwriter brought a guitar and each class wrote and performed a song in 45 minutes!! This is a fabulous way to end the Wriggle Room Writers experience. You can listen to their songs here and sing along with the words.
First off, here is Class 3T with their Lullaby Song
And here is Class 3H with their Underwater Christmas Song
The PoetryJoe Show autumn tour
The PoetryJoe Show autumn tour kicks off on Saturday 31st August at the Gulbenkian Theatre in Canterbury.
The show, created by Buzz authors Joseph Coelho and John O’Leary will also have a number of London dates (Richmix, Chelsea Theatre, Half-Moon) so we look forward to seeing you all.
The list of tour dates can be found here.
Please ‘like’ the PoetryJoe Show Facebook page – thanks!
The was an air of celebration as Judy, Katherine, Ann, Marion, Lynda and myself entered the classrooms at Burdett Coutts Year three classes headed by Sam and Sasha on Thursday 23rd of May.
It was time to review all the exciting sessions that had taken place over the previous five weeks and to see how the children had been inspired and to celebrate being a ‘Wriggle-room Writer’.
However, Lynda and I had a special mission. We had been tasked with writing a ‘celebratory song’ with each class. This was to be written, learned and performed in a 45 minute time slot.
We knew that a song –writing collaboration with twenty-seven children might prove a little tricky so since we were limited for time it was decided to move quickly to raise the energy level in the room so that ideas would flow spontaneously.
Lynda got the children on their feet to perform the ‘rage stomp’, that she had taught them on a previous visit, from her fabulous Sand Dancers’ books. I followed that up by teaching them a musical version of Spike Milligan’s Ning Nang Nong poem I had written for a show and very soon the energy level was ready for us to begin to write a song.
Since I am a songwriter, I am fairly used to collaborating with other songwriters. The usual way of proceeding is to have a few ideas that you put forward just to get the ball rolling. It is understood that the ideas can change second by second as new and better ideas form.
So with Lynda acting as scribe armed with a marker and white board and me perched on the side of a desk with a guitar we began by writing the chorus with the children.
This was easy….Wriggle Room., Wriggle Room writers….We are the Wriggle-room writers.
The tune really wrote itself …think ‘earworm’ with an annoying catchy tune. The whole class was singing it within minutes and it was time to write the verses.
By asking the children strategic questions and fielding their responses, the song somehow began to reveal itself. I suspect this was because we were magically sprinkled with fairy dust, given Lynda’s connections.
The children were absolutely brilliant and extremely pleased with their song so we recorded it very roughly on an MP3 (hear below) and we played it back to them. First mission accomplished.
This was not the end however. One little boy came up to me and said very seriously ‘This is ‘our’ song isn’t it, not anyone else’s song?’ I responded by saying of course it was their song.
It was a good question because Lynda and I had originally thought perhaps once we had developed a structure for the ‘ Wriggle-room Writer’ song with the first class that we would use it with the second class and perhaps just write some extra verses.
That wasn’t to be. No we began again and the next class wrote another completely different song. This time think ‘power ballad’ full of angst, longing, and passion to be ..yes you guessed it.. ‘ A Wriggle-room Writer’ of course! The children were delightful, imaginative and friendly and it was wonderful day. Thanks kids!





